

Saturday
April 19th
doors 7p ~ show 7:30
a night of expanded
cinema performances
+ record release event for K/S/R's new 2xCD!
K/S/R Already in Heaven
free improv trio, four 16mm &
35mm projectors + live sound
JOHNNY WOODS
necropotence
doom drone + hi-con b&w film projections
a. stone transinfinite
talking / tapes + camcorder projections
Maspeth is America
new super-8 film by Ben Kujawski with live accompaniment: accordion (Kujawski) & violin (Helen Pinch), filmmaker in attendance from NY
K/S/R (the trio of Ben Kujawski, Abigail Smith, and Justin Rhody) have been performing expanded cinema works and recording since 2021. The trio have previously performed at Other Cinema, Highlands University, Shapeshifters Cinema, University of New Mexico, the firehouse, and the Light Matter Film Festival. Their music was recently featured on the legendary Coast to Coast AM radio program and in 2025-26 K/S/R will be releasing a 2xCD, a split cassette, a 5" vinyl record, a full length LP, and will be playing shows in the Southwest, Midwest and East Coast USA and Japan.
Johnny Woods is an animator and musician living in Pecos, NM. Necropotence combines sundry audiovisual aesthetics from occult rituals, black metal, and new age philosophies in an attempt to summon ancient nature spirits for a liturgy of forced rebirth.
Maspeth is America: A semi-fictional working class lamentation captured on the outskirt industrial areas of New York City. Photographed on gritty black and white Super 8, the film reverberates the sentiments of a worker grinding away another day in a never-ending cycle of generational labor. Filmmaker in attendance from NY. At this screening the film will be presented with live musical accompaniment featuring Helen Pinch on violin and Ben Kujawski on accordion.


Friday
May 2nd
opening reception 5-8pm
MEGAN MIRRO
Body Issues
Body Issues is the first solo exhibition of work by Megan Mirro and consists of handbuilt ceramic wall hangings that blend imagery from avant-garde films, mythology and the artists’ own subconscious. Ceramic relief scenes from Agnès Varda's Le Bonheur ("Happiness"), Věra Chytilová's Daisies, and Maya Deren's Meshes of the Afternoon, are hung next to popcorn-filled, open-vessel abstract busts of each director, inviting visitors to mindfully consume these stories of rebirth as they would take in frescoes and communion at a church. Reinterpretations of the Venus of Laussel along with Greek and Roman mythological versions of Venus and companions explore ideas of desire, fertility, creation, and collective care. Mirro shares a look at her own struggles seeking wholeness and invites the viewer to consider how protecting bodily autonomy and sharing emotional vulnerability are crucial for the collective.


Megan Mirro is a multidisciplinary artist based in Oakland, California, who is heavily influenced by cultural stories and her surrounding creative community. Learning how to work in ceramics from coworkers after hours at Creative Growth Art Center, she now works from her home and studio at The Dome, an historic artist live/work warehouse started in the 1970s by ceramic world icons Peter Voulkos and Marilyn Levine. Mirro embraces her lack of formal training with a playful, experimental approach to handbuilding and enjoys hosting community clay workshops as a way to share access to the cathartic medium. In addition to her ceramic work, she is a freelance designer and is currently digitizing her family’s archive, shooting Super 8 home movies, and tending to her garden with her partner, Logan, and cat, Racha.




Friday
May 30th
doors 7p ~ films 7:30
OPEN SCREEN v.7
Open to all local artists working in experimental, personal, animation or non-fiction filmmaking.
One submission per person,
15 mins MAX (shorter is better).
No industry-aspiring work, please.
submissions open in late April 2025


Friday
June 13th
doors 7p ~ films 7:30
the short films of
MATT WHITMAN
Matt Whitman has been making short works on motion picture film since 2010. Mainly silent and often edited in-camera, his films over the last ten years were largely generated in response to moments of grief and loss, both private and public – particularly as seen and felt through the mediation of digital interfaces and archives. ~ This program showcases his film work in chronological order. While his films have been shown at festivals and other group screenings, this program of films is his first solo screening in the western United States. In addition to filmmaking, Whitman also works with pinhole photography and experiments with eco-friendly black and while film developing techniques.
filmmaker in attendance from NYC!
presented on 16mm film!
post-screening Q&A!


Friday
June 27th
doors 7p ~ film 7:30
QUEEN OF
DIAMONDS
Nina Menkes, 1991, 77 mins, Color, Sound, 4K Restoration
Over the past 30 years “cinematic sorceress” Nina Menkes has produced a visually stunning and uncompromising body of work that stands alone in the landscape of American Independent cinema. Fearlessly confronting violence, female subjectivity and isolation in iconically lensed locales ranging from the American Southwest to Israel and North Africa, Menkes work only becomes more vital and relevant with the passage of time.
Produced, written, directed, and shot by Menkes, Queen of Diamonds follows the alienated life of Firdaus (played by the director's sister and early muse, Tinka Menkes), as a Blackjack dealer in a Las Vegas landscape juxtaposed between glittering casino lights and the deteriorating desert oasis. Negotiating a missing husband and neighboring domestic violence, Firdaus’ world unfolds as a fragmented but hypnotic interplay between repetition and repressed anger.
Shot with a beautiful compositional rigor echoing Chantal Akerman’s Jeanne Dielman, Queen of Diamonds is a remarkable and demanding masterpiece of American independent filmmaking. Heralded as one of the most challenging and subversive filmmakers working today, the restoration and re-release of this film marks the start of a new critical recognition for Menkes’ groundbreaking body of work.
"[Menkes’] provocative and visually arresting art films hover between experimental and narrative, fearlessly exploring the alienated feminine, the subconscious and violent patriarchal outer realities…" -Sight & Sound


Friday
July 25th
doors 7p ~ film 7:30
WANDA
(Barbara Loden, 1970, 103 mins, Color, Sound)
"With her first and only feature film - a hard-luck drama she wrote, directed, and starred in - Barbara Loden turned in a groundbreaking work of American independent cinema, bringing to life a kind of character seldom seen on-screen. Set amid a soot-choked Pennsylvania landscape, and shot in an intensely intimate vérité style, the film takes up with distant and soft-spoken Wanda (Loden), who has left her husband, lost custody of her children, and now finds herself alone, drifting between dingy bars and motels, where she falls prey to a series of callous men - including a bank robber who ropes her into his next criminal scheme. An until now difficult-to-see masterpiece that has nonetheless exerted an outsize influence on generations of artists and filmmakers, Wanda is a compassionate and wrenching portrait of a woman stranded on society’s margins." -Criterion
presented from a beautiful
Kodachrome 16mm film print!

Upcoming Events
Sat April 19 - K/S/R Already in Heaven (free improv trio, dual 16mm + dual 35mm slide projectors + live sound) K/S/R (the trio of Ben Kujawski, Abigail Smith, and Justin Rhody) have been performing expanded cinema works and recording since 2021. The trio have previously performed at Other Cinema, Highlands University, Shapeshifters Cinema, University of New Mexico, the firehouse, and the Light Matter Film Festival. Their music was recently featured on the legendary Coast to Coast AM radio program and in 2025 they will be releasing a 2xCD, cassette, 5" record, full length LP, and play shows in the Southwest, Midwest and East Coast. + JOHNNY WOODS necropotence (doom drone + hi-con b&w film projections) Johnny Woods is an animator and musician living in Pecos, NM. Necropotence combines sundry audiovisual aesthetics from occult rituals, black metal, and new age philosophies in an attempt to summon ancient nature spirits for a liturgy of forced rebirth. + a. stone transinfinite (talking / tapes + camcorder projections) + with opening short film, Maspeth is America (new super-8 film by Ben Kujawski, filmmaker in attendance from NY, with live accompaniment: accordion (Kujawski) & violin (Helen Pinch) A semi-fictional working class lamentation captured on the outskirt industrial areas of New York City. Photographed on gritty black and white Super 8, the film reverberates the sentiments of a worker grinding away another day in a never-ending cycle of generational labor. (+ record release event for K/S/R's new 2xCD!)
Fri May 2, 5-8pm - MEGAN MIRRO Body Issues [art exhibition opening reception] - Body Issues is the first solo exhibition of work by Megan Mirro and consists of handbuilt ceramic wall hangings that blend imagery from avant-garde films, mythology and the artists’ own subconscious. Ceramic relief scenes from Agnès Varda's Le Bonheur ("Happiness"), Věra Chytilová's Daisies, and Maya Deren's Meshes of the Afternoon, are hung next to popcorn-filled, open-vessel abstract busts of each director, inviting visitors to mindfully consume these stories of rebirth as they would take in frescoes and communion at a church. Reinterpretations of the Venus of Laussel along with Greek and Roman mythological versions of Venus and companions explore ideas of desire, fertility, creation, and collective care. Mirro shares a look at her own struggles seeking wholeness and invites the viewer to consider how protecting bodily autonomy and sharing emotional vulnerability are crucial for the collective. ~ Megan Mirro is a multidisciplinary artist based in Oakland, California, who is heavily influenced by cultural stories and her surrounding creative community. Learning how to work in ceramics from coworkers after hours at Creative Growth Art Center, she now works from her home and studio at The Dome, an historic artist live/work warehouse started in the 1970s by ceramic world icons Peter Voulkos and Marilyn Levine. Mirro embraces her lack of formal training with a playful, experimental approach to handbuilding and enjoys hosting community clay workshops as a way to share access to the cathartic medium. In addition to her ceramic work, she is a freelance designer and is currently digitizing her family’s archive, shooting Super 8 home movies, and tending to her garden with her partner, Logan, and cat, Racha. (refreshments provided)
Fri May 30 - OPEN SCREEN v.7 - Open to all local artists working in experimental, personal, animation or non-fiction filmmaking. One submission per person, 15 mins MAX (shorter is better). No industry-aspiring work, please. (submissions open in late April 2025)
Fri June 13 - the short films of MATT WHITMAN - Matt Whitman has been making short works on motion picture film since 2010. Mainly silent and often edited in-camera, his films over the last ten years were largely generated in response to moments of grief and loss, both private and public – particularly as seen and felt through the mediation of digital interfaces and archives. ~ This program showcases his film work in chronological order. While his films have been shown at festivals and other group screenings, this program of films is his first solo screening in the western United States. In addition to filmmaking, Whitman also works with pinhole photography and experiments with eco-friendly black and while film developing techniques. (presented on 16mm film + filmmaker in attendance from NYC + post-screening Q&A)
Fri June 27 - QUEEN OF DIAMONDS (Nina Menkes, 1991, 77 mins, Color, Sound, 35mm to Digital) - Over the past 30 years “cinematic sorceress” Nina Menkes has produced a visually stunning and uncompromising body of work that stands alone in the landscape of American Independent cinema. Fearlessly confronting violence, female subjectivity and isolation in iconically lensed locales ranging from the American Southwest to Israel and North Africa, Menkes work only becomes more vital and relevant with the passage of time. ~ Produced, written, directed, and shot by Menkes, Queen of Diamonds follows the alienated life of Firdaus (played by the director's sister and early muse, Tinka Menkes), as a Blackjack dealer in a Las Vegas landscape juxtaposed between glittering casino lights and the deteriorating desert oasis. Negotiating a missing husband and neighboring domestic violence, Firdaus’ world unfolds as a fragmented but hypnotic interplay between repetition and repressed anger. Shot with a beautiful compositional rigor echoing Chantal Akerman’s Jeanne Dielman, Queen of Diamonds is a remarkable and demanding masterpiece of American independent filmmaking. Heralded as one of the most challenging and subversive filmmakers working today, the restoration and re-release of this film marks the start of a new critical recognition for Menkes’ groundbreaking body of work. ~ "Queen of Diamonds is my painting of the U.S.: an over-enlarged, profit motivated core surrounded by mute and arid alienation. The protagonist, Firdaus, is both deeply estranged and psychically powerful. Her loner position is the backside of centuries of Western Heroes: she stands in the center as watcher and victim of a system which is starting to crack.” -Nina Menkes ~ "[Menkes’] provocative and visually arresting art films hover between experimental and narrative, fearlessly exploring the alienated feminine, the subconscious and violent patriarchal outer realities…" -Sight & Sound ~ View trailer HERE (presented from a new 4K restoration from the original 35mm camera negative!)
Sat July 12 - LIQUID ADJUSTMENT: soap opera experimental (guest programmed by Sean Dickerson & co-presented by PRROBLEM Press) - A program of experimental video work that appropriate or draw inspiration from the soap opera format, interspersed with segments from a new, locally produced reworking of a Joanne Kyger radio play. ~ FULL PROGRAM: General Hospital / Olympic Women Speed Skating (Dara Birnbaum, 5:30), Vault (Bruce & Norman Yonemoto, 12:01), All Smiles and Sadness (Anne McGuire, 7:14), The Dark, Krystle (Michael Robinson, 9:34), Swamp (Abigail Child, 33:00). (new radio play will be available to attendees on cassette, probably!)
Fri July 25 - WANDA (Barbara Loden, 1970, 103 mins) - "With her first and only feature film - a hard-luck drama she wrote, directed, and starred in - Barbara Loden turned in a groundbreaking work of American independent cinema, bringing to life a kind of character seldom seen on-screen. Set amid a soot-choked Pennsylvania landscape, and shot in an intensely intimate vérité style, the film takes up with distant and soft-spoken Wanda (Loden), who has left her husband, lost custody of her children, and now finds herself alone, drifting between dingy bars and motels, where she falls prey to a series of callous men - including a bank robber who ropes her into his next criminal scheme. An until now difficult-to-see masterpiece that has nonetheless exerted an outsize influence on generations of artists and filmmakers, Wanda is a compassionate and wrenching portrait of a woman stranded on society’s margins." -Criterion ~ View trailer HERE (presented from a beautiful Kodachrome 16mm film print!)
Fri Aug 8, 5-8pm - MAX NORDILE [art exhibition opening reception] - Collage by Olympia Washington-based artist & musician. Live musical performance & refreshments provided.
Fri Sept 26 - the short films of GRETA SNIDER - A mini-retrospective of works created 1989-2025 (filmmaker in attendance from San Francisco + post-screening Q&A)
late-OCT (date tbd) - SANTET (directed by Sisworo Gautama Putra, 1988, 94 mins) - Indonesia’s beloved scream queen, Suzzanna, stars in this decidedly demented supernatural revenge thriller which boast not just over-the-top gore set-pieces, but an abundance of slimy creatures, wild plot twists, and even impromptu musical numbers! After poisoning his wife, a local gangster blames her death on the village cleric and instigates an outraged mob to burn down his hut, killing him in the process. The cleric's wife escapes into the jungle, eventually meeting Nyi Angker, a half-crocodile half-witch who gives her diabolical powers, thus allowing her to commence a bloody revenge. (presented from a new 2K restoration from the original 35mm camera negative!)



